Titel/Komponist
Beschreibung
Länge
Spanish-sounding classical guitar melody, featuring sensitive strings + soprano
02:23
Eerie + mysterious score with electronic effects + textures + electric guitar
03:31
Positive + fresh pop instrumental with electric guitars, drums bass + electronic pads
02:22
Starting with a romantic guitar riff combined with soulful vocals, a catchy pop track develops with melodic melodies + captivating beats featuring vocals. Underscore version
02:40
Horror + evil score with male choir samples, digital percussion sequence, strings + synth instruments
01:45
Corporate instrumental with steady electronic drums, string swells + synth interventions
03:30
Chilled morning piece with clean guitar + subtle percussion
02:24
Playful pop song that descends into madness, with quirky but funny melodies + percussive elements that will keep you on your toes
01:56
Smooth opening rising into a laid-back, atmospheric, purposeful + reflective piece
02:24
Tense, aggressive, action-packed theme with dramatic percussion bed
01:54
Easy living with this lifestyle track with jazzy piano melody + playful horns that sound soulful + coooooooool without beats. Minimal version
01:11
Mysterious + suspenseful piece with an arpeggiated synth instrument pattern, pads, strings + percussive effects
01:47
Cool + funky, with a modern sound, just the sort of track you would hear at a sophisticated beach front villa party on Côte d'Azur
04:18
Mix of soulful hip-hop smoothie with vocal shoutings + evolving key chords + rap-style electronic riffs. Minimal version
02:12
Serene, oriental images, deeply, colorful, light textures
02:59
Upbeat futuristic micro-pop track with minimalist synth tones, building up to a groovy+ pulsating fragment with sub bass + bubbling electric guitar without drums. Minimal version
00:45
Gimme some high society feeling with this tune played by big band + other playlful typical iconic Dixieland instruments. Reduced version
01:22
Good + colorful listening experience with acoustic guitar + xylophone melody lines
02:40
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