Titel/Komponist
Beschreibung
Länge
Softer version of "Consolatio" with solo piano + subtle pads
02:04
Futuristic, slow-tempo, arpeggiated piece with synth instruments, electronic drums + electric guitar
02:49
Soft positive orchestral piece featuring strings, brass, banjo, piano, electric guitar, bass + drums
02:22
Suspenseful score with steady synth bass, percussion hits, bell-like synth + processed electric guitar stab
04:13
Urban jazz session on the big boardwalks of New York's Fifth Avenue
01:52
Dramatic, experimental score featuring digitally mangled drums, keyboards and electronic instruments
01:28
Determined orchestral score featuring children's choir
01:00
Fast-paced electronic beats + intricate sound design mimic the frenetic energy of a technological uprising, capturing the essence of a new breed of warriors
02:20
Smooth, soul-inspired acoustic bassline, accompanied by laid-back horns + relaxed drums, rolling like a funky train through a world full of groove. Underscore version
01:40
Clever comedy theme that drives everyone mad + makes everyone laugh. Special Piano version
01:06
Happy + kitsch melody with horns, organ, jazz drums + bass
01:42
Royal + glorifying theme, though tense + thrilling, perfect for featuring a great + powerful character
00:54
Entertaining energic country play, great for illustrating characters on a rodeo party, dressed with blue jeans + cowboy boots
02:34
Exotic play, a score based on steel drums + electric guitar
02:05
Night-time anthem that captures the thrill of city life, with rhythmic beats + enchanting melodies that paint the night in vivid colors. Chorus version
00:22
Upbeat, jovial arrangement featuring soft, thoughtful beats + notes
02:17
Fateful Tex Mex melody for two gunslingers, pure dynamite for epic western trailers
02:20
When strings get sneaky - a curious, bouncy cue built for unexpected consequences + hilarious discoveries. Underscore version
02:34
Techno tune with Latin insertions
02:08
Determined, aggressive, dramatic, restless, unsettling featuring military snare
02:04
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