Titel/Komponist
Beschreibung
Länge
Soft + mysterious score with synth keyboards, strings, electronic bass + digital percussive effects
03:08
Quirky, feel-good, driving instrumental arrangement featuring rhythmic, driving bed
02:41
Playful, slightly dramatic pop track about everyday interactions + minor mishaps with synth rhythm. Underscore version
02:10
Extremely cool sounding hip hop track with hypnotic synth melody + analogue synths building up to a retro-futuristic fusion melancholy with earth shaking bassline
04:04
Smooth, light, chilled, laid-back arrangement - for a relaxed moment
02:20
Fast + chasing orchestral score with strings, brass + very fast percussive sequence. Underscore version
01:41
Optimistic piano ballad with additional acoustic guitar, synth choir + strings
02:07
Fast African tune featuring multiple percussion elements, guitars, bass + lithophone. Minimal version
02:57
Hypnotic synth-pop chords with piano meldody that evoke the glamour of city lights + endless possibilities. Reduced version
01:07
Slow-burning theme builds up with dramatically elements builds up to a crescendo huge epic piece where fate meets truth. Commercial version
00:39
Minimalistic electronic piece with fresh-sounding pads + synth instruments
02:07
Jaunty, delicate, atmospheric, reflective, bittersweet theme with emotive, inspiring flute + ethereal sax
03:36
Rock beats, 90s style, perfect for remembering the college years, strange haircuts, piercings + your first cigarettes
02:13
Old-school funk cue mixed with urban hip hop beat, crazy Wurlitzer melody + synth bass that catches fresh air + will get you grooving. Chorus version
00:24
A cool banjo Wild West theme develops into an aggressive rock track
01:54
Very inspiring classical intermezzo with violin theme + positive sounding track arrangement full of hope. Alternative version
03:19
Soft, warm guitar melodies weave together like the flickering flames of a campfire, this track offers an intimate atmosphere, perfect for outdoor storytelling, accompanied by gentle harmonies
03:51
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