Titel/Komponist
Beschreibung
Länge
Powerful hybrid orchestral with strings + large percussion smashes
01:37
Mysterious melody with electric guitars, fast percussion + electronic instruments. Underscore version
02:14
Sober + funny bassoon melody with pizzicato strings + extra oboe + sustained strings
01:28
Slow-tempo song with elements of techno, trap + trance-sounding pads. It also features "yeah" + "c'mon" vocal samples
02:57
Happy + energetic song with low bass, Latin percussion + electric guitars
01:38
Feel-good-tune with nostalgic roots not only for 20s modernized to jump in other centuries musically. Retro version
01:14
Seriously emotive + reduced gentle solo guitar playing generating a melodramatic scenery
02:32
Positive traditional Italian folk featuring mandolin + soft accordion
02:30
Rhythmic, positive bed featuring happy whistling + bright sax
03:20
Inspiring male choir sound in 50s appeal with harmony feel
01:11
Toxic cocktail of pop melodies + metal aggression that will leave you reeling from its intensity. Underscore version
01:50
Cinematic X-Files-like suspense tune with increasingly loud danger sound elements + weird guitar riffing until everything comes to a horrible end
01:48
Hyperactive dance track with a wild character full of energetic synths, a raging beat + bizarre sound effects with a strikingly driving super fat bassline. Underscore version
02:23
Mysterious + morbid atmospheric song with bells, creepy pads, strings + electronic bass
02:08
Dark, tense, atmospheric with pulsing synths elements
02:18
Sustained rhythmic bed, insistent + repetitive
02:21
Exciting sound design with thrilling synth pads & textures + rhythmic electronic nuances to danger & secrets. Minimal version
01:14
Good mood, humorous German piece with low-brass, banjo, drums + guitars
00:37
Powerful, rock-inspired anthem featuring heavy guitars + driving drums designed to get you moving. Minimal version
01:53
Energetic, pop-friendly track about partying in the city with friends + living life to the fullest with piano textures
02:32
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