Title/Composer
Description
Length
Killer track with explosive + total action led by massive synth power + big drums
02:52
Slow building thriller track from dangerous to intense with big drums, epic strings + massive synth power creating a psychological factor
02:15
Heartbeat with deep bass synth intro builds up to a mysterious profiler piece with eerie haunting melody full of ominous tension. Minimal version
02:34
Powerful + urgent action with omnipotent drums
02:12
Eerie + unsettling score, encompassing drones effects, lo sci-fi + underlying cymbals
01:08
Earworm horror signature track with diabolical piano melody that builds to a terrifying + cinematic mood. Minimal version
02:49
Powerful + atmospheric suspense piece with flowing + electrifying elements with piano melody
02:33
Exploring the deep space has never been so suspenseful
00:48
Slow tension building orchestral piece with a quiet sustained violins note + gentle percussion, developing into a huge full orchestra discourse
02:58
Percussive soundtrack with large acoustic elements, as well as subtle electronic pulses. Additional strings + brass included
00:47
Suspenseful + mysterious symphonic soundtrack featuring strings, brass, woodwinds + percussion. Perfect for sci-fi movies
02:55
Haunting + unsettling horror score, encompassing industrial electronic beats, drones effects, with chilling effects
01:07
Deep + sober soundtrack with low drone-like synth, percussion + "gentle screaming" instrument resembling strings
02:34
Bleak + cold horror piece, featuring underlying drones + sfx, with sustaining Theremin + waterphone
01:13
Eerie + scary piece, encompassing drones, lo sci-fi effects, unsettling sfx + Theremin, with underlying waterphone
01:08
Enigmatic, mysterious + horror drone with deep + spinning bass, recurring + menacing sound design with a growing sense of danger. Minimal version
01:55
Playful, descriptive panoramas, warm, optimistic underlay with voice in background
02:12
Sinister, deep, creepy, atmospheric tension bed with suspended textures + gentle
02:28
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