Title/Composer
Description
Length
Eerie harmonies build tension, creating an unsettling impression of danger lurking just out of sight. Minimal version
02:02
Sci-fi + high-tech piece with synth instruments + digitally processed percussion pattern
01:42
Pulsating tension building with morbid suspense
02:46
Suspenseful + dangerous electronic piece with distant atmospheres + synth percussion
01:56
Classic house track, but with dark synths + melodic line, suited for action dramas
03:44
Detective + investigating music with minimal electronic beat, pad and synth
01:01
Aggressive driving bassline with straight walking groove + building arpeggio sounds . Underscore version
02:15
Smooth, beautiful, angelic, free-flowing electronic patterns featuring subtle guitar
02:07
Suspense building up score, with powerful strings + female vocals, suited for action scenes
01:56
Dark + investigative track that slowly builds up to a higher danger level + features a piano melody. Minimal version
03:13
Dramatic score featuring strings, brass + large percussion
02:22
Atmosphere of high crime performed by dramatic + building string section with evolving hip hop drums. Underscore-Version
01:12
Suspenseful piece with heavily processed instruments, pads + electronic percussion
02:53
Cold case track with music box intro that develops into a monumental hybrid track with big drums + theatrical sounds. Minimal version
02:44
Sentimental but straight forward tune with melancholic tendencies but hopeful
02:13
Dark soundscape leads into sinister featuring insistent, determined drums + beats
02:07
Anticipative + crescendo cue featuring tense strings, dark brass + intense percussion
01:16
Stylish + sophisticated piece with a vintage flair featuring smooth vocalized melodies + intricate arrangements featuring big band flavour
01:09
Mysterious score, built on a main cymbal core, featuring drums, setting a spyware scene
00:43
Tense + atmospheric theme captures the feeling of being stalked by an unseen danger + explores the thrill of uncovering hidden truths
01:57
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