Title/Composer
Description
Length
Take a deep dive into the dark side of crime with this dangerous + suspenseful track with its dark + menacing synths to survive the game. Minimal version
02:30
Disharmonious powerful masterpiece of horror for a stunning finish
02:56
Mysterious synth pad sounds combined with layered melodies + computerized rhythm entwine to create a sense of forbidden knowledge lurking within lines of code
02:10
Mellow + quiet, strange + frightening theme, that foretells a bad + extraordinary scary ending
01:13
Somber fusion of organic + electronic sounds at the end of an era
02:08
For all hip hop gangstas + gangs in the world creating a sense of danger + mystery
02:08
A high-speed chase unfolds in this track combining electronic beats with hyper synth elements perfect for thrilling climactic moments. Underscore version
01:40
Light, delicate, suspenseful melody featuring rhythmic + dangerous beats
02:27
Fast, arpeggiated sequence with additional synths + digital percussion
02:26
Truly morbid + haunting soundtrack melody from beyond with repetitive synth-wave, destructive bassline + strange sounding orchestral elements in less is more mode. Reduced version
01:14
Paranormal score piece that hides the evil within. Minimal version
01:39
Very powerful + morbid theme, well suited for a horror or drama soundtrack
02:27
Cold, powerful, ethereal, creepy arrangement featuring desolate horror background with suspenseful smooth voice
01:52
Mysterious piece, encompassing sfx, synth, pedal guitar effects + glockenspiel. Underscore version
01:51
Gloomy, unsettled track, perfect for apocalyptic worlds + threatening, eerie scenarios, perfect for reactor explosions + other natural disasters. Underscore version
02:17
Mysterious, shadowy theme for the unseen forces at play. Minimal version
01:53
Tense + anxious track that creates a haunting, eerie atmosphere + explores the dark depths of mistrust with electronic rhythms. Reduced version
02:17
Quirky ambient score, featuring sfx + various EDM effects, thermion + synths
02:20
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