Title/Composer
Description
Length
Pretty, optimistic tune with strings, military percussion + keyboards
02:16
Expectant + unsettling ambient score, encompassing low sfx, keyboards + synth effects. Underscore version
01:40
Suspenseful anticipation to a dynamic action reprise + climax, a tense moment
01:24
Mysterious minimalistic play, perfect for illustrating technology procedures
02:17
Energetic punk melody with overdriven guitars, bass + acoustic drums
02:20
Fresh + modern with pulsating beat + pretty keyboards + pads
02:01
Minimalistic electronic piece with fresh-sounding pads + synth instruments. Minimal version
01:53
Optimistic + flashback song that looks back in time + to the future with hope + positivity, celebrating the strength of friendship + unity in the reality TV journey with straight bassline, 4-to-floor beat + percussion elements. Beats & Bass version
02:04
Mysterious, scary & investigative sequence with arpeggiated synths + orchestral instruments
01:27
Adrenaline-pumping song featuring rapid beats + fast synth melody, invoking the feeling of high-speed adventures + unstoppable momentum. Underscore version
01:46
Aspiring orchestral score, featuring piano, flutes, cello, harps, gongs an powerful violins
04:43
Soft, smooth, delicate introduction, hopeful middle section, + tender piano falling in final
00:50
Cool, intimidating digital code rhythm with arpeggiating synth textures to create an investigative tune for mysteries in the biophonic world
02:13
Groovy instrumental featuring steady drums, fat bass, keyboards, guitars + synth
03:50
Fast, fun, good mood piece in vintage sound with crazy Hammond organ + stop & go scratches creating an iconic electronic style. Minimal version
01:59
Sensual pop song with seductive rhythms + a touch of mystique that will captivate you + that will get you grooving. Minimal version
02:08
Atmospheric + trance-like soundtrack with hypnotic guitar picks + beautiful violin melody as soundtrack for nature movies
01:51
Suspenseful cinematic orchestral score with piano melody line
02:48
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