Title/Composer
Description
Length
Bossa nova influenced groove with electronic instruments, electric guitar + woman moaning
02:25
Acoustically, beautifully + atmospheric slow tempo piece with plucked instruments. Minimal version
01:57
Driven by an arpeggio synth intro that leads to a soulful 80s-likechorus with cool sounding guitar + melodic synths. Minimal version
02:01
Colorful + playful featuring energetic guitar + happy drum solo in mid-section
02:07
Earworm horror signature track with diabolical piano melody that builds to a terrifying + cinematic mood. Minimal version
02:49
A laid back lofi hip hop track that takes you to the beach + creates a lively + energetic atmosphere. Minimal version
01:59
Cool-sounding sound idea with crisp hip-hop drum beats, jazzy piano + synthesizer effect textures. Chorus version
00:27
Nostalgic swinging journey with catchy vibraphone melodies wrapped in orchestral sounds, guitar + trumpet for an everybody's-feeling-good-attitude
01:36
Hypnotic track with hard-hitting beats + a raw bassline like sushi, reminiscent of the harsh reality of inner-city life. Chorus version
00:26
High-energy instrumental with energetic drums + "in your face" lead sounds
03:22
Experimental, hi-tech sounding track with electric guitars, synths, drums, bass + a great deal of digital distortion
03:38
Driving feel-good track that encourages the listener to surrender to the rhythm, performed by a pop band with drums, guitar, keyboards + arpeggio synth elements. Underscore version
01:50
Late-night hip-hop vibes with chill drum beats + playful piano + reverberating synth pad
02:33
Very driving, punky melody with rock elements + electro support by sub bass + synth cream on top
02:05
This track gallops through the dusty plains with a spirited beat and catchy melodies, evoking images of cowboys + adventure in a land filled with opportunity + danger. Underscore version
02:27
Joyful + warm score, orchestral based, featuring violins + ending harps
00:15
Edgy trance instrumental with a hard bassline + syncopated synth lines
03:19
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