Title/Composer
Description
Length
Mystery-driven soundtrack featuring arpeggiated synths + percussion
01:51
Cartoony slapstick track with awesome chamber strings, vibraphone + pizzicato strings plus fingersnips. Alternative version
01:06
Full analogue synth track for climate worries with sweeping synth arpeggios and electronic pizzicato strings. Reduced version
02:07
Mischievous + playful track that embodies the sneaky + suave nature of the Pink Panther featuring suspenseful flute. Alternative version
00:57
Shiny, soft + warm panorama with synthesizer wobbles + harmonic textures + screaming guitar licks. Minimal version
03:09
Uplifting pop-rock instrumental, perfect for joyful commercials + ads
02:38
Cool pop rock piece, featuring electric guitar, with pedal effects + underlying drums
03:28
Moody + cinematic blues track leads into a dry desert groove with punchy elements that gets dirtier overall
01:40
Rhythmic, energetic, kinetic arrangement with driving, cinematic percussion
03:23
Simple straightforward track with indie pop appeal with catchy melody line from Hammond organ, playful + euphoric sounding guitars + finally taking over piano
02:19
Timeless sounding piece inspired by a western road movie, with pulsating electro rhythm + deep sounding guitar that gives the piece its very own touch
02:40
Intimate atmospheric theme, hypnotic + rhythmic beats + drum bed
02:30
Chill retro piece with double bass, brushed drums, piano an vibraphone. Quite a spyware character to it
01:43
Electric guitar, energic feeling, featuring bass + drums. Perfect to illustrate a rock climbing ascent
03:32
Upbeat, curious, playful, perfect music for a cartoon with child voice saying "La-la-la"
02:12
Violent + ample rock score, built on an orchestral core, featuring main electric guitar line, with sustaining drums
01:58
Trailerized hip-hop shot with striking piano sample, crisp rap beat for a daydreamy atmosphere. Commercial version
00:48
Edgy, experimental rock piece with electric guitars, bass, + drums. Featuring elements of drum + bass during the intro
01:52
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