Title/Composer
Description
Length
Acoustic ambient-like soundscape with guitar + piano that immerses you in the stillness of isolation, leaving space for reflection
02:59
Relaxing jazzy influenced piece with keyboards, wah wah guitar, soft hi-hats groove, strings + sax licks. Minimal version
02:39
Positive rock instrumental with electric guitars, bass, drum'n'bass style drums + looping effects
02:58
Floating, upbeat, retro-futuristic, disco-style for a scene with spies-Underscore Version
01:14
Rousing, feel-good anthem that radiates positivity + warmth, perfect for brightening up any day. Instrumental version
02:23
Sexy + urban track with a pronounced hip-hop feel. Featuring electric piano accents + wah guitar licks
01:34
Beautiful sounding piano theme with hopeful melody with cello lines becoming more emotional towards the end
03:55
Hypnotic synth-pop chords with piano melody that evoke the glamour of city lights + endless possibilities
02:01
High energy soundtrack, improving mood, motivational music
02:14
Minimalistic + experimental piece with electronic instruments + soft electronic percussion
01:50
Super cool summer track with playful melodies, inspired by euphoric energy with pulsating wave synths. Underscore version
02:39
Provocative + posh piece with electronic drums, gated pads + other electronic instruments
02:45
High noon song with a lonely whistle melody with timpani + drum acoustics suggesting a duel between two gunslingers, with a soprano female vocal. Minimal version
01:20
Film-like Asian-driven string pizzicato line, which builds up to colorful + pure positivity to a real classical masterpiece. Underscore version
01:26
Wake up to a potent mix of beats + super-funny a-cappella vocals celebrating the caffeinated chaos of morning routines that every adult is painfully familiar with in this lively anthem. Chorus version
00:22
Aggressive metal piece with hard guitars + arpeggiated synth sequence + other electronic elements
02:27
Smooth, relaxed featuring soft, evocative, thoughtful, touching female voice
04:17
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