Title/Composer
Description
Length
Happy + good-mood piece with jazzy piano, whistling samples, strummed acoustic guitar, bass + South American percussion
02:09
Soft sliding electric guitar sways with strummed acoustic guitar + subtle ethereal atmosphere continue as a hard rock cue
02:18
Deep, dark soundscapes envelop the listener in a void of technological mystery. Minimal version
02:28
Positive South American sounding piece with energetic brass, drums, organ, bass + guitars
02:04
Powerful, atmospheric, massive, tense, oppressive military motifs
02:17
Upbeat, infectious + catchy, with hypnotic intro, followed by percussive sound set focused on grooving elements. Percussive version
01:47
Crime + investigation score with pads, crunchy percussion hits + synth piano
02:05
Psychopathic + creepy sound cocktail with strange + spooky acoustic guitar combined with thunderous big drums. Minimal version
02:31
Inspiring positive & hopeful "Universe is changing" soundtrack with rhythmic beat, harp melody. Minimal version
01:45
Cool groove record of funky hip-hop beat combined with cultural ethno jungle voice for hip-hop lifestyle all over the world. Commercial version
00:41
Ambient driven track with dreamy vocals + dreamy synth melody with shimmering synths + pulsating drum groove
02:06
Soft, relaxing melody with beautiful synth pads, keyboards, electronic drums + other synth instruments
02:13
Classic 80s synths meet a modern vinyl vibe while soul samples + boom-bap drums provide a catchy hook inspired by chart legends. Underscore version
02:37
Funky, funny piece, featuring electronic keyboard + processed male vocals
02:15
High-tech scary piece with electronic drums + synths
02:25
Floating + atmospheric sci-fi intro with arpeggio synth elements + 80s bassline for a particularly exciting cinematic trailer. Minimal version
02:13
Soft, ghostly pad intro builds to smooth, ambient electronic soundtrack. Minimal version
01:26
Hypnotic independent garage track alternative rock inspired with striking electric guitars + explosive drums
02:21
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