Title/Composer
Description
Length
A nostalgic, charming piece with a gentle choir + great acoustic guitar melodies. Reduced version
02:18
Pop-inspired track meets beautifully plucked Latin acoustic guitar for an impossibly new, catchy mix
01:45
Gentle + dreamy hip-hop ballad with atmospheric sound design of minimalist beats, Rhodes textures, gentle synth pad fusion + piano melody dedicated to the most beautifullest thing featuring love rap + female vocals. Vocal version
02:27
Magical, smooth, cool electronic soundscape bed featuring light, skittering drums + percussion, soft bass, understated organ + effected female vocal in introduction
01:52
Optimistic German sounding piece with accordion + acoustic guitar
02:00
Expansive classic metal rock, centered around the resonant electric guitar solo
00:44
Luxurious piece based on a suspended chords progression + funky bassline
02:04
As the sun sets on the horizon let this ambient composition transport you to a world where time slows down + introspection takes center stage
02:01
Cello + violin blend in a rising very dangerous tension, each note a step closer to uncovering the truth, punctuated by fleeting moments of silence. Minimal version
01:32
Sad, rhythmic piano piece with a strong emphasis on drums
03:45
Catchy hip hop instrumental with electro inserts
03:19
Driving groove with a combination of electronic + acoustic instruments, offering a mix of 20s silent film + quirky electronic sound - perfect for a silly, energetic dance party. Minimal version
02:01
Nervous over-stereod track slow rising with thrilling + punchy suspense power
02:43
Dreamy cue featuring keyboards, synth + steady electronic drums
02:10
The sound of the mountains in a cinematic spot builds up with oustanding traditional harp playing giving the music an absolutely unique position in this genre. Minimal version
01:00
Slow, modern track with deep electronic drums + synth instruments
02:08
Minimalistic play, enigmatic + tense, great for illustrating mystery's of the nature or political corruption cases
02:21
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