Title/Composer
Description
Length
Sensitive + romantic journey with delicate strings + subtle patterns
02:27
Expressive, touching rhythm combining traditional with contemporary instruments + synths
03:16
Epic + powerful symphonic piece for monumental use for heroic images that create a sense of adventure
02:02
Cooler action-packed hip hop inspired track with giantic brass section with epic feel
02:51
Esoteric, heartfelt, spiritual trip featuring ambitious orchestral arrangement
02:34
Another version of the "Bad Sign" piece
02:35
The piece features a sad + deep intro builindg into an exciting + dynamic rock piece with a great deal of electronic elements (drums, synths, pads)
03:09
Frighteningly fast thrill trip with steady bassline, reverberating sci-fi effects, horros synth pad, driven by electronic percussion. Minimal version
01:24
It is the same version of the previous track, with male vocal included
02:00
Upbeat, infectious + catchy, with hypnotic intro, followed by percussive sound set focused on grooving elements. Percussive version
01:47
Cleverly crafted ambient guitar melody with thoughtful picking notes that creates a special vinyl feel with ocean views. Minimal version
02:08
Infectious fired-up & sick drum grooves with retro-inspired electronical scratches
01:56
Grand, emotional rock piece, perfect for moments of remembrance or passing down traditions. Reduced version
02:02
Laidback retro tune, featuring flutes, EDM effects, synth, processed male vocals, keyboards + horns
03:24
Contemplative, bittersweet, slow-moving rhythm featuring reflective, touching piano
04:22
Pacey, positive pop rock guitar. Good for TV + corporate productions
02:41
Feelgood surf rock with edgy retro vibe + raw 60s power combined with rebellious mentality from boundless electric guitars
02:09
Happy + positive teenage rock instrumental featuring crunchy guitars, bass + drums
03:16
Warm + uplifting score, featuring an orchestral based, with violins + flutes
01:26
Optimistic + commercial rap instrumental with emotional saxophone licks
03:19
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