Title/Composer
Description
Length
Charismatic hip-hop cut with synthesized brass hits + plucked funky guitar melody combined with synth bells + synth pad chord for the right vibe. Reduced version
02:13
Sparse sneaky spyware music with a hilarious atmosphere. Minimalistic version
00:31
Predictable + eerie track with music for blockbuster, building up from eerie sound design elements + a dark and ominous soundscape. Reduced version
01:06
Slow tempo chill out on a percussive rhythm base featuring a sitar main theme
01:59
Modern + chilled track featuring a cool and solid electronic beat + relaxing instrumental phrases
02:38
Smooth, soft piano opening raising gradually into a hopeful atmosphere
03:45
Abstract + sophisticated electronic melody between the unknown + the next, other dimension, played by space synths + tabla percussion. Reduced version
00:51
Absolutely fun music with acoustic guitar + happy female vocals bits made for the most perfect commercial or tv trailer
02:17
Strange + ethereal score with dissonant textures + atmospheres + digital percussion
02:24
Techno + experimental piece with synth leads + very low sub-bass
02:27
Gentle + delicate featuring guitars + brushed drums
01:58
Retro action song with wah guitars, synth strings, bass + groovy percussion
01:42
Groovy piece with a complex beat with changing accents, + a clever bassline. Brass + organ featured
02:26
Melancholic, sad + lonely sounding drone track with nostalgic singing guitar element for eternal stories. Minimal version
01:32
Uplifting, energetic music with overdriven guitars, bass, drums + organ
02:04
Uptempo, positive, bright featuring cinematic, easygoing instrumental
03:05
Clever comedy theme that drives everyone mad + makes everyone laugh. Only Piano version
00:57
Smooth easy listening piece with vibraphone melody, cool strumming jazz guitar + light big band sounds
01:10
Dreamy cue featuring keyboards, synth + steady electronic drums
02:10
Refreshing 90s inspired disco track with electrifying bassline, fueled analog synths + female vocals
02:39
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