Title/Composer
Description
Length
Optimistic deep house tune with a summerish relaxing feel. Minimal version
01:49
This melodic track resonates with optimism, reminding listeners that the future holds incredible potential. Chorus version
00:28
The playground anthem for children + smaller people with kids-friendly techno rhythm + funky whistle melody as if made for colorful parties
02:01
Mysterious sci-fi music featuring pads, keyboards + percussive sound effects
02:03
Positive + happy instrumental track with banjo, acoustic guitar, electric guitar, bass + energetic percussion
02:20
Delicate + relaxing acoustic guitar pop track with additional drums + gated synth
02:10
Amazing action track for slow building trailers with massive, alarming synths + exploding, frightening energy. Minimal version
01:53
Elegant + smooth electronic jazz track with acoustic bass, grand piano chords + electro-acoustic tech drums with synth pad + muted trumpet textures + brass section shots
02:12
Rhythmic, energetic, kinetic arrangement with driving, cinematic percussion
03:23
A hopeful acoustic guitar melody + soft ambient sounds evoke peaceful open spaces blending earthiness + freedom. Reduced version
02:29
Inspirational piano piece with drums, strings + electronic percussion elements
03:43
Ambitious melody based on strings + electronic drums
01:30
Alternative rock song, with powerful electric guitar riffs + oriental effects. Perfect for a car race scene
03:11
Luxurious sounding piece with clavinet + percussive effects flying all around
02:24
Light, rhythmic xylophone + acoustic guitar instrumentation that evokes carefree happiness
02:04
Exciting electro-pop track inspired by the 80s with steady electronica beat + modern rolling synthesizer textures with hypnotic vocal samples without rhythm. Minimal version
01:17
Inspirational pop-rock score featuring soft + explosive sections
02:28
Carefree electronic bed, powerful, skittering percussion, swirling synths. Minimal version
01:44
Positive with a slight goofy 90s sound + accordion melody line
02:38
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