Title/Composer
Description
Length
Sad song, great to use when talking about deep social problems, sacrifice, death or rebirth
01:32
Knock, knock - who’s there? Laughter breaks out in this lively number featuring playful percussion interspersed with cartoonish woodwind melodies that answer every punchline
01:48
Acoustic exploration of the moments + emotions that bind people together, celebrating the connections made during summer's warmth. Chorus version
01:31
Sad piece, featuring a piano base, sustained by acoustic guitar + soft strings
03:01
Mellow piece, with some reggae rhythms. Gives you a relaxing + a chilling out mood
04:46
Emotional ballad with soulful chord passages that transforms into an energetic pop dance track with urban sounds + catchy synths. Minimal version
00:36
Rapid beats+ sustained acoustic tension mirroring the high-pressure environment of a technology nerve center on the brink of a breakthrough or disaster. Reduced version
01:13
Vibrant ambient score, featuring an acoustic guitar core, with synth effects + male vocals
01:07
Tragic + dynamic play, with a score based on a strings + percussion main line + a well defined repetitive rhythm
01:00
Sparkling synths + driving guitars create an enchanting atmosphere, capturing the beauty of life’s most special moments
02:28
Enigmatic, positive, atmospheric piece featuring ethereal instruments-Underscore Version
03:00
Pulsating + motivational pop track with electronic elements + catchy melodies that talks about the dreams + goals. Underscore version
02:28
Wonderful blend between piano, strings + electronic percussion
02:54
Slightly humorous song with Spanish percussion, horns, Hammond organ + filter-based effects
01:30
Classical acoustic guitar solo on electronic chilling background
02:32
Inspirational tune about following your heart + chasing big dreams. Minimal version
01:13
Organically starting with xylophone rhythm + piano chords, expanding with an arpeggio line to a wide open musical field
02:14
Sober, medieval piece, perfect for narrative purposes
01:37
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